Dojo Etiquette
Standing bow: Stand with heels
together, feet pointing slightly outward (like a "V").
Keep knees straight; elbows straight and relaxed; hands open and
at the seams of your pants (the outside of your legs); fingers together.
Bend at the waist, about 20 degrees forward. Unbend. Do not slap
your hands on your thighs. The whole bow takes about a breath's
length.
Kneeling (seiza): Place left
knee on the floor; then right knee. Sit down on feet. Big toes
of left and right feet should overlap (either one on top). Keep
back straight and shoulders relaxed. Rest left hand (hand open,
fingers together) on left thigh and right hand on right thigh,
so that fingers point inward. For anatomical reasons, men should
have about a fist or two's width between their knees, women should
have knees together.
Bowing in seiza: Slide the left
hand from the thigh to the floor immediately in front of the left
knee (not too far in front, i.e., left elbow shouldn't touch the
floor). Do the same with the right hand, so that the right hand
motion is slightly behind (in time) the left hand motion. Palms
should touch the floor to show deep respect. Bow at the waist,
taking a little longer than for a standing bow (forehead comes
close to the floor, but does not touch it). Slide your hands back
up to their initial position on the thighs, this time with the
left hand slightly behind the right hand.
Entering and exiting the dojo: Bow,
standing at the entrance, facing the dojo or towards the front
of the dojo, whether you are entering or exiting the dojo.
Lateness: Try not to be late.
If you are late, bow in, then quietly kneel near the entrance.
Wait until the instructor acknowledges you. Then bow kneeling,
get up, and quickly join the group. If you arrive just as everyone
is kneeling at the beginning, don't move, don't make any noise,
just wait until warming-up starts, and bow in as described above.
Opening sequence: When you hear "Line
up!" or "One line!", stand shoulder to shoulder
facing the front of the dojo, in rank order. Try to line up so
that the instructor is right in the middle of the line. If class
size is big, the senior student may ask you to form more than one
line, in which case, you should try to line up so that the lines
are approximately of the same length. Seiza!": sit down in
seiza, so that knees are aligned with the person on your left. "Mokusoh!":
quite meditation -- just lower your gaze, relax, and breathe. "Mokusoh
yame!": stop. "Shomen ni rei!": Bow to the front
of the room (this signifies bowing to the institution of karate
and to the line of instructors who brought it to your instructor). "Sensei
ni rei!": Bow to the instructor. When you're bowing, you can
say "onegaishimas," which, roughly translated, means "Please," i.e.,
please teach me, please help me, please hold class, etc. At the
signal of the instructor, get up (quickly, without waiting for
the person on your left, necessarily).
Closing sequence: Same as the
opening sequence, except that after mokusoh, there is a recitation
of the dojo kun. Repeat after the senior student, loudly (but not
so loud that your voice stands out) and in unison. During the final
bow to the instructor, you can say "arigatoh gozaimashita," which
means "Thank you." "Thank you" in English is
okay, too. At the end, the instructor will get up. Wait until the
person on your left bows and gets up before you do the same.
Clean-up: Before class starts,
there is usually some sort of cleaning of the dojo. During this
time, actively participate to whatever extent you can. Don't sit
back and stretch when others are still cleaning.
General etiquette guidelines during training:
- Most importantly, the moment class starts,
your mind should be on karate and on trying to improve your own
technique. Concentrate, give spirited kiai, don't talk unnecessarily,
and practice hard! (This is under "etiquette" because
doing otherwise would be disrespectful to the instructor, as
well as to yourself, both of who have bothered to come.)
- Don't wear jewelry, watches, etc. Don't chew
gum.
- Whenever you're told to move from one part
of the room to another, do it quickly (i.e., run or trot, at
least). Also, don't pass in front of anyone -- go behind and
around.
- Whenever you're asked to stand back or sit back
and watch, do so in a normal standing or kneeling position, silently,
without leaning on walls or distracting others. Do not put your
hands on your hips or cross your arms. Hold your arms down to
the side or clasp your hands either in front or behind you.
- If you're ever in a kneeling position and you're
uncomfortable, it's generally okay to bow and then switch to
sitting cross-legged.
Whenever you stand from a sitting position, switch to kneeling,
bow, then stand.
- If you ever need to leave a class early, let
the instructor know beforehand.
- Every time you get a new partner for any exercise,
bow. Every time you're about to switch partners, bow to your
old partner before moving on to the next.
- Don't make overt displays of how tired you
are, no matter how tired you are.
- If you're ever asked to count, count in whatever
language you feel comfortable with, but make the counts short,
sharp, and spirited.
- Follow normal rules of etiquette that apply.
- Finally, these aren't strict rules followed
by every dojo. Some don't follow them exactly, in which case,
you should start off erring on the side of being overly courteous
but avoid doing anything to stand out, since that in itself can
be interpreted as rudeness.
Other things you should know:
- Don't say any words when you kiai. "Kiai" itself,
being a Japanese word should NOT be a kiai. Common kiai include "Ya!" and "Ei!"
- Don't be afraid to kiai! If you have a strong
kiai, it will often spur others to work harder, as well. The
overall tone of a class is set by the level of spirit of the
class, which can be raised with better kiai. On the other hand,
if your spirit is poor or your kiai weak, you might bring down
the class spirit.
- Do not hesitate to ask senior students and
instructors for help before or after class. Time permitting,
you should try to learn kata outside of class so that during
class, the instructor can spend more time making comments about
your technique rather than what move comes next.
Copyright © 1996,
Yale Shotokan Karate Club. Permission is granted to anyone to
make or distribute copies of this document, in any medium, for
non-commercial purposes, provided that the copyright notice and
permission notice are preserved, and that the distributor grants
the recipient permission for further redistribution as permitted
by this notice.
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